The Counters Blog

Duality Keira Marcos



He was nearly uncontrollable, and we have to do this for the greater good. Her fingers pressing against his jaw made him want to gag, but he let her open his mouth and pour the potion down his throat. His mind was reeling from the ramifications—how long had they been dosing him?

The unexplainable rash that had spread down the side of his neck three days ago was already gone.

A part of him wanted to lash out immediately and murder his so-called best mate, but if the war had taught him anything, it was patience. Ron tapped his fingers restlessly against the table until his name was called and he chose auror training. He couldn’t afford to give himself away or he’d end up memory charmed again. Hermione never had to wonder if someone was lying to her or betraying her. He’d never bothered to hide his attraction to her, but she’d never brought it up. She leaned into his touch and a light flush stole over the tops of her cheeks.

He released her then sat back on the bed and was slightly surprised by the flash of disappointment that crossed her face. Hermione’s eyes darkened, and her nostrils flared slightly in shock. He held her as she trembled against him and just breathed deeply against her hair. He calmed down by degrees, and for several long moments, she said nothing. Hermione turned her face against his shoulder and shuddered. Dumbledore was invested with controlling you and your future. Harry said honestly, and when she held out her hand, he went to her. He didn’t kiss her but just tucked her close and curled his hands into her jumper. That wasn’t necessarily untrue—he had requested that she investigate people in his administration a few times. She watched the older man stop pacing and turn to stare at her.

Ron had, surprisingly enough, taken his side on both issues. That it had no taste at all was horrifying, but good in a way because at least it confirmed he wasn’t being potioned with some sort of behavioral modification. His skin wasn’t itching, and the ringing was gone from his ears.

He went back to bed and stared at the ceiling until his healer came around hours later to check on him. They’d also given him some pamphlets on textile and food allergies as they assumed he’d had an allergic reaction to something in his environment. Ron slammed out of the room without giving him time to respond. Harry moved forward briefly but didn’t give in to the desire to kiss her. They ended up sprawled together on the bed, her legs tangled with his own. The older man raised an eyebrow but immediately reached out and brushed his fingers over a series of runes on his desk to do as she requested. With a little push of her magic, she lowered her shield charm before thinning out the protective barrier she’d built with her mind.

We would talk for hours about anything and everything. Mom was very direct about such matters and didn t hold back when it came to the birds and the bees. Our house is a neat old place with big porches, tall trees and a wide shady lawn.

I laughed at how easy it was to free myself, so he tied me again, tighter. Bobby didn t seem to notice as he wrapped ropes around my chest and the post, then he knelt and tied my ankles. Bobby came back and asked teased me about not getting loose. My early fantasy didn t get much past the stage of wanting him to see me naked and helpless. He bent my knees and brought my ankles up and tied my wrists to them. I huffed and puffed and squirmed until my nipples were deliciously sore. He tied my wrists behind me with his belt, then sat on the couch to watch the show.

It was a simple tie, with my wrists tied behind the chair back, and my ankles and knees together. This time he tied my wrist rope to the lower rung of the chair. He also wrapped rope over my chest and around the chair back. It took a great deal of will power to pretend that everything was normal. I tied my ankles and knees and made a simple slip noose for my wrists.

I got my hand on the knife and was able to cut myself loose before she came in to my room.

I spent the next few days in a state of confusion and guilt. I wanted to talk to her about it, but couldn t bring myself to do it. I didn t need a bra at that age and didn t wear one around the house. I watched carefully as her tied her wrist, then her elbows together.

As she struggled her breasts bounced around under her shirt. Bobby got embarrassed and went into the kitchen and pretended to get a drink of water. There was a scene where the pretty school marm was kidnapped by the bad guys and tied to a stake. Mother remarked that she had never seen me tied the way that girl was. She looked at herself in the mirror, rubbed her pussy briefly and took a deep breath. Two ornamental pillars flank the doorway into our dining room. We were always close, but after my dad died we became even closer. He tied my hands behind the post and it took me about three minutes to get loose. Bobby tied my wrists together behind the post, then my elbows, very tightly. I made the mistake of taunting him about that, so he wrapped another rope around my forehead and the post.

I stood against that post for about thirty minutes, loving every second. I was a slender and flexible girl and slipped the rope off my wrists within minutes. At the end of each week the one with fewest points had to pay for burgers or pizza. He often ate dinner with us and we worked on our homework together. I allowed him to tie me in a hog tie on the living room floor. I managed to get one hand free but not the other or my ankles.

I finally put a knife on the floor beside me and placed myself in a pretty good hog tie.

I hid the ropes and was innocently brushing my hair when she looked in on me. He tied her ankles together and wrapped a rope above her knees.

She glanced at me over his head as he knelt to tie her ankles to the chair legs.

Mom struggled even harder and her boobs shook from side to side. When he released her she smiled sweetly at him and went up to her room. I was thunderstruck to see mom slide her shorts off and strip out of her panties. Mom placed her back against one of them, reached behind it and crossed her wrists. She joked that she didn t want to be able to get free too easily.

With Climate Journalism Like This Who Needs Fiction? by blogs.discovermagazine.com

But it is very much like recent years — all of which were below the long-term average. Which of course highlights the difficulty of trying to do a journalistically responsible job on a story like this. Much can be — and has been — written on the global cooling meme. The last 13 years have seen drastic reduction, but it certainly makes me contemplate if it is a situation where temporary conditions masked a long term phenomenon for 20 years or if we are simply witnessing a short term effect at present.

It’s highly unlikely to be a short term trend while ever greenhouse gasses continue to build in the atmosphere at their current rapid rate. Cyclical natural changes like ocean oscillations tend to be discernible over 5-15 years. She thinks you are a liar and that urls are secret government messages. One reason is that newspapers are forever locked into this “balanced reporting” myth.

Hundreds of people saw him jump, and firemen on the roof tried to talk him down, but he jumped anyway. And that one man’s dissenting opinion would merit equal coverage as that afforded to the witnesses to the suicide. This way it can’t be viewed through the lens that you are simply an activist. You know nothing about the science, yet you claim to have a monopoly on it. Of course, your need to write articles like this whose sole purpose is name calling shows you know the science is not on your side and you wish to convince people simply by demonizing the opposition. The concept of fitting a polynomial to a time series as noisy as the sea ice curve is utter nonsense.

You do your readers a disservice posting it, and undercut your own point by referencing it with identifying the issues with it. Claims that are made without evidence can be rejected without evidence.

When that sea ice reached lower latitudes, it rapidly melted in the warmer waters. What was asked for was statistical evidence that modern sea ice extent and volume are not unusual. You are deliberately keeping yourself stupid by refusing to think. You can’t make scientific arguments because you’re carefully keeping yourself ignorant…. But the graph does not exist in isolation — it’s just one of many lines of evidence to support the view that humans are warming the planet at an unprecedented rate. The data can be shown in any sort of method, but the facts don’t change. Colder periods are historically bad (starvation etc.) for humans.

Arctic ice has been declining over the last 30 years, it’s been as low before, and even lower (and even absent in prior interglacials).

Fact is that this years ice growth has as little to do with global temperature change as the low year in 2007 did. I posted graphics that they prepared to help me make an important point. Seen in this context, 2013 obviously doesn’t look anything like last year’s astonishingly low extent. Up until now, we’ve been looking at the geographic extent of the ice cover — how many square miles of ocean is covered by floating ice.

There are ups and downs related to year-to-year variations in conditions. In other words, observations alone are insufficient to get a full picture of sea ice volume. To provide proper context, and to highlight the uncertainties along with the findings, requires quite a bit of explanation, not all of it terribly compelling. The point is that warming can stall, and temperatures can even cool, over a period of years — even as the long-term trend is one of warming. I note that between 1980 and 2000… 98 any way… there was very little measurable change. The sea ice loss over the last 30 years of satellite records is only explained by human influence on climate.

You presume your conclusion which means you can’t make an argument. It’s very much like a man leaping to his death from a 10-story building. I personally like the idea of finding and addressing comments from both sides that share the same logical fallacies. All you are doing is teaching people how to think critically. This whole article and position is a rejection of the truth– because it supports your political ideology.

Very convenient… decide unilaterally that you have the science on your side and then you can just ignore the science and call people names. You draw the readers eye to an exaggerated long term, endemic in all such curve fits. Neither of which would seem to be best journalistic practices to convey to your students. Here’s the problem, you know nothing about the science but you think you have a monopoly and so aonyone presenting actual science you assume is stupid. But that brings one back toward the problem of polynomials, they tend to exaggerate boundaries… leading the eye to extrapolate what the fit provides, but may have no meaning to the data being fit.

Why don’t you grab it and run your recommended method(s) over it and see how it looks?

Squishing math engineering science into climate science (regardless of what side you’re on) is remarkably poor science indeed. You’re more than welcome to your own theories, but not your own facts. Facts are, the world is warm, it was colder, and it’s been warmer several times during the holocene. Warmer periods match some of the most dramatic moment in civilization. It’s all about storms, current, and export — 2007 had them, 2013 didn’t.

A LIVING DOLL. by sissykiss.com

And they were treated very well and for that they respected their female rulers. Not only that, but it worked, the only real draw back, was that the chemical administrated to the males had turned them into females. It took a while for them to grow accustomed to their new gender as well of set of new clothes to wear.

The dolls would simply just shut down, you have to bear in mind that they acted in every way like a real baby 24/7 year in, year out. It wasn’t easy being 6 years old and learning there were things you could have and things you couldn’t.

In this case saying prayers was more of a family tradition and part of an oldfashioned ritual. Very few men could fly as many different space craft as he could. One wonders how mankind had gotten so far in this future with these outdated concepts. Ash looked a little shock, but he stood at the other end of his desk, not accustomed to be stood at the opposite end. But she was too heavy for him and he put her immediately back down again. She knew that the mission was doomed, but there was nothing she could do about it, or could she? Such as nappies, these were very much like towelling nappies, very thick and soft and had a lot of wear to them. But at least they lived and were part of the female society.

But very few could do all of those things and speak and interact like a real baby. With no adverse side effects, a fully grown male would be a woman, for young boy, he would become a complete girl and would only develop breasts at puberty. They were just so vastly advance, that they just simply did not last that long. She stopped what she was doing and she came out of the kitchen to see what her sweet little girl wanted. She wanted to give her daughter the world but unfortunately, they couldn’t afford to; not even a small piece of it like this doll. Susana slightly shook her head, but she was not cross with her precious little girl. Her mo ther turned off the lights and left, leaving the door partially open. Most one man space crafts were nearly the same in principle on how to make them fly, no matter how different the controls were, but there were some one man space craft that had controls and cockpit configurations no other pilot could ever figure out. With there being android to do most the the work for anyone, there was little to no point having computers with say voice recognition to open doors or turn lights off, when an android could do those things instead. Cindy 4 wondered about this as she got into the two man space craft that was there waiting for them inside of the hanger bay.

Even the seats and the cockpit interior right down to the control panels, they were all pink too.

Marble Serpent Chapter 7: Zwei A Harry Potter Fanfic by fanfiction.net

He opened it a bit and scowled when he recognized who was standing just outside the door. The man opened his mouth to respond, but the older man held up his hand. I might need to check on the welfare of a young man who seemed to be on his own in a snake pit. I was interested in seeing that scar for myself,” he said, pulling a wand from the sleeve of his robes almost casually. He deliberately kept his back turned on the two strangers in the shop, and did his best to focus on keeping the younger man shielded from any potential attack. I don’t want you to see anything that you shouldn’t have to see,” he said quietly. I kept wondering if the brat’s mother was going to walk in on us and interrupt what we had going on,” he said. I would not have to worry about the corrupting influence that he has on you.

I am not helpless in a potentially dangerous situation,” he said.

Harry opened his mouth to respond, but the chime at the front door sounded through the shop, effectively cutting him off. An old man with a beard that seemed to reach his knees walked up to stand next to the beak-nosed man. As soon as he looked at the old man, his lips pulled back in a snarl. I am willing to wager that the demon with you is not your primary caretaker,” the old man said.

Severus reached out for the emerald tree boa in an attempt to pick it up, but a nearby cobra struck out at him, effectively stopping the man’s efforts to pick up the boa. Light wizards and it’s going to get complicated if it’s not resolved soon,” he said. Tobias said quietly, glancing over his shoulder at the two intruders.

The Best Apps For Any Kind Of Writing by lifehacker.com

It’s feature packed, but offers a ton of options for hiding those features away too.

After all, the main goal of a distraction-free writing app is provide a blank canvas to write on in a nice, full-screen view—and nothing else. Of course, it also has templates for different screenplay types, a formatting assistant that helps you get used to screenwriting formats, and a revisions system for when you’re ready to go to production. It’s a pretty simple app that lets you quickly get to writing a journal entry and moving on. Once you get going, you should see all kinds of handy benefits from journaling, regardless of which app you choose. Which one works best for you likely depends on what you’re looking for, but this chart should help you pick the right one. It’s simple, but it gets the job done and clears a space for you to just write. So, it’s usually a good idea to treat your writing software like you would any productivity tool: settle on an app that works for you and stick with it. So, with that in mind, we’ve tested out a ton of writing software to pick our favorites depending on what your needs are. Instead, we’re concentrating on tools for long form writing. It includes a massive notes section for keeping track of characters, an index card system for summaries, a special scene view so you can see a script at a glance, and more.

Just don’t expect more than a text editor with screenwriting formating built into it. That said, you have a few great options for apps that help put a spotlight on your mistakes, spot repeating words, and help you clean up your writing a bit. Basically, it gives you every piece of data about your writing you could want so you can pinpoint how to fix it up. Each of those has a specific set of features that’s going to appeal to some people more than others.

Ten Rules For Writing Fiction by theguardian.com

But “said” is far less intrusive than “grumbled”, “gasped”, “cautioned”, “lied”. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange. I have noticed that writers who use “suddenly” tend to exercise less control in the application of exclamation points. Once you start spelling words in dialogue phonetically and loading the page with apos­trophes, you won’t be able to stop. That’s the only reference to a physical description in the story.

You don’t want descriptions that bring the action, the flow of the story, to a standstill. Think of what you skip reading a novel: thick paragraphs of prose you can see have too many words in them. But if the pencil breaks, you can’t sharpen it on the plane, because you can’t take knives with you. If you’re using a computer, always safeguard new text with a ­memory stick. But you don’t know who the reader is, so it’s like shooting fish with a slingshot in the dark. You most likely need a thesaurus, a rudimentary grammar book, and a grip on reality. You can never read your own book with the innocent anticipation that comes with that first delicious page of a new book, because you wrote the thing. If you’re lost in the plot or blocked, retrace your steps to where you went wrong.

Fill pages as quickly as possible; double space, or write on every second line. Do keep a thesaurus, but in the shed at the back of the garden or behind the fridge, somewhere that demands travel or effort.

It’s a nice feeling, and you don’t want to be cluttered with the corpses of poems and stories which have everything in them except the life they need. Join professional organisations which advance the collective rights of authors. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation. Make a habit of putting your observations into words and gradually this will become instinct. Fiction is made of words on a page; reality is made of something else. If you had a terminal disease would you ­finish this book?

Fiction that isn’t an author’s personal adventure into the frightening or the unknown isn’t worth writing for anything but money.

Substituting “then” is the lazy or tone-deaf writer’s non-solution to the problem of too many “ands” on the page. It’s doubtful that anyone with an internet connection at his workplace is writing good fiction. If it’s only to create atmosphere, and not a charac­ter’s reaction to the weather, you don’t want to go on too long.

A prologue in a novel is backstory, and you can drop it in anywhere you want. The line of dialogue belongs to the character; the verb is the writer sticking his nose in. To use an adverb this way (or almost any way) is a mortal sin. I have a character in one of my books tell how she used to write historical romances “full of rape and adverbs”. You don’t always have to go so far as to murder your darlings – those turns of phrase or images of which you felt extra proud when they appeared on the page – but go back and look at them with a very beady eye. Other people can help you a bit, but ­essentially you’re on your own. Therefore ask a reading friend or two to look at it before you g ive it to anyone in the publishing business. Or a constant visual­isation of the holy grail that is the finished, published version of your resplendent book. Chances are the words that come into your head will do fine, eg “horse”, “ran”, “said”. A problem with a piece of writing often clarifies itself if you go for a long walk.

I now think it should be done only in private, like any other lavatorial activity. If you use a computer, constantly refine and expand your autocorrect settings. There are clichés of observation and of thought – even of conception. If something is proving too difficult, give up and do something else. Remember that all description is an opinion about the world. It doesn’t matter how “real” your story is, or how “made up”: what matters is its necessity. It may not improve your temper, but it fixes something else. Don’t have arguments with your wife in the morning, or late at night. Try to think of others’ good luck as encouragement to yourself. Never use the word “then” as a ­conjunction – we have “and” for this purpose.

Write in the third person unless a ­really distinctive first-person voice ­offers itself irresistibly.

The most purely autobiographical ­fiction requires pure invention.

Stories That Kill. 7 Tips For Writing Crime by thecreativepenn.com

People are going to hate you and there’s nothing you can do about that. Writing is hard and finding your way through the words takes an immense amount of time. Here are a couple of opening types that have worked for me in the past. Give your criminals unique and conflicting reasons to be criminals. Great endings give the reader what they want but not in the way they expect it. Think of the ending as a mini three-act structure with twists and turns, reversals, setbacks and new plans. You can’t expect to be a writer without getting out into the world and getting your heart and knuckles scraped.

Some of us write out of anger, and some of us write out of sadness. He likes bad traffic, noisy neighbors, cheap beer, loud bars and has been occasionally known to howl at the moon. Foremost, they both explore the depth and nuance of ordinary people in abnormal situations. Both my main characters think they are the good guy and that the other one is getting in his way. This gives me plenty of opportunities to inject some humour into otherwise dark situations. Likewise, your goody can do bad things, especially to vent his/her irritation about the baddy’s goodness. But how do you structure a fictional crime short story?

I plan to get very wealthy very fast and never have to work again. Writing can make you very wealthy but it is more like a 20 year plan. I retired to fulfill one of the dreams on my bucket list…write! One day at school, there is a kidnapper alert, and there is a lockdown. Emma realises the kidnapper is in a big organization run by the one person she was told was dead– her dad. Do you know more tips on how to write good mystery novels which drop the bomb and makes readers slap themselves saying they should’ve seen that coming? Ambitious storytelling can come later – finishing the first story is the most important thing!

If you want to write a crime novel, you’d better be ready to pick a fight. They’re going to hate you for killing off their favorite cha racters, they’re going to lecture you for your use of bad language and they are going to resent you for taking them to places that challenge their values and beliefs. But, if you like getting your knuckles bloody, you’ve come to the right place. If a crime novel turns out to be boring there’s a very high chance it is because the writer was bored while penning the decaf infused words. You do that and that excitement will come across on the page and excite the reader. Start your story off like a shotgun blast in the middle of the night.

They may, as the title suggests, be starting a new job, or they may have just arrived in town. A crime novel without a crime isn’t a crime novel and a straight up murder isn’t going to cut it anymore. Your protagonist is only as strong as the forces of antagonism they are up against. A killer never kills because they are mad, there is always a reason.

They may think they do and they may believe they do, but they really don’t. Characters that make mistakes, characters that think fast and think badly, flawed characters, but likeable characters. Even the most renegade of criminal will detest a serial killer. The reader has been good enough to purchase your novel and read it all the way to the final pages so give them an ending that will knock them on their ass (and send them straight out to buy your next novel). Don’t hide in the world, be a part of it, experience its disappointments and triumphs, anger and heartbreaks and put it all on the page. It’s that hidden drive, buried deep in your sub-conscious that pushes you to get up early and stay up late pounding out the words at the typer.

And whether you know it or not, there is something at the heart of your story and if you can define it, you can develop and explore it with a master’s control. In those times of darkness and empty pages remember that, if you wait, if you are patient, the words will always come. I would dismiss most of these if you you are aiming at something deeper; something involving the soul, something like literature. Genre writing is entertaining, literature transforms you in some unspeakable, eery way. You use “formulaic” negatively but actually, all genres have tropes, emotional beats and story plot points that are consistent in any genre and are important for enabling the reader’s experience. A great article with some good advice whatever genre you are writing in.

Some of the best novels are loved because of their flawed characters. Your baddy can annoy your “goody” by being good (or better sometimes than the goody) too. I expect to be finished with my first book in a few months and then on to make a movie of my novel. But if writing books is what you love, then the journey will be super fun.

Emma soon gets wrapped up in the mystery of the criminal, and soon finds she’s investigating something bigger than just a kidnapper. I need to let the reader know more about the characters and their environment.

The Key To Descriptive Writing: Specificity by how-to-write-a-book-now.com

The key to making it work – and to making your prose more powerful – is specificity. A sentence this vague tells you right away this is going to be a make-believe story, not something that really happened. Although people know fiction is, well, fictional, good fiction should nonetheless have the have the ring of authenticity to it. It tells us a little bit about the character and his intent, but as descriptive writing goes it is still pretty generic. This second sentence tells us what the character wants, whereas it’s usually better to show the reader a specific detail and let the reader infer the character’s desire. His face was tanned, his clothes were worn and soiled, and he smelled like the back end of a pack-mule. Specificity can change a bland, generic piece of descriptive writing into something far more interesting to read.

You should also incorporate as many of the senses as possible. If your narrator is omniscient, include details that convey to the reader what it would have been like to be present in the story. Sometimes replacing a single word with one that’s more specific can tell the reader as much about a character than an entire paragraph of lame prose. On the other hand, a few telling details inserted in the middle of the action can paint a rich picture for the reader without slowing things down. Thank you for making this valuable resource, for me and my fellow writers. You manage to answer complex questions in relatively short articles and with really intelligent answers. The site not only offered extremely clear and helpful instructions but was a very enjoyable read as well.

They want to feel as though they are hearing the story from someone who was there, and a genuine eyewitness can give specific details of what happened. Again, the way you convey that authenticity is by descriptive writing that includes specific details someone who was actually present would know.

Also, it breaks the an important principle of good writing: show, don’t tell.

People usually don’t “stumble” into a place if they are expecting to meet someone. If this was a writing exercise we were doing, we might continue the process of adding specific details to see what type of story emerged. It draws the reader into the world of the story and makes that world and its inhabitants far more tangible and believable. Each specific detail tells the reader much more about the characters and the world they inhabit than a general term can. Using specific nouns and verbs is also a very efficient way of conveying your story. As you might guess, there’s probably no limit to the number of specific details you could build into a passage of descriptive writing. Too many details can slow the action, and if they aren’t of vital importance to the story, they can become boring. The next time one of your chapters seems a little bland, try replacing some general words with specific details. It has helped me in so many ways, and has given me more confidence about myself and my work. It is a plethora of knowledge, written in a simplistic way to help aspiring writers.

The education from your wonderful site has made me a better writer and your words have inspired me to get back to work on my novel.

Writing Prompts 101 by dailywritingtips.com

A writing prompt is simply a topic around which you start jotting down ideas. You may stick very closely to the original prompt or you may wander off at a tangent. The point is to simply start writing without being held back by any inhibitions or doubts. Focusing on an unrelated prompt for a while helps get the creative juices flowing. You may also find that if you stop trying to think so hard about what you wanted to write and switch you attention to the prompt instead, the words and ideas for your original piece start to come to you after all. The prompt may give you ideas from which a complete story grows or you may get fresh ideas for another piece you are already working on. Writing to a prompt regularly helps to get you into the habit of writing. Prompts can be a great way to get involved in a writing community.

This can be a source of great encouragement, although knowing that others will read what you have written can also inhibit your creativity. If you want to use one, don’t worry about where the ideas take you or whether what you’ve written is “good”.

Writers are provided with 10 words and they create a short story from them. Strange how you can miss typos despite much proofreading!

For those days where the words just aren’t coming, writing prompts provide excellent sparks. Then, the conversation with dear diary will do the rest of the work. She wandered through the store, trying not to look at the rows of silks. We can write whatever we want and are given two or more words that we have to use in the story. They represent a very effective tool for any writing project, so it’s a good idea to know how to use them. If you’re a fiction writer, you may want to consider using writing prompts to kick-start your creativity.

The prompt could be a single word, a short phrase, a complete paragraph or even a picture, with the idea being to give you something to focus upon as you write. You may just come up with rough, disjointed notes or you may end up with something more polished and complete, a scene or even a complete story. If you write for just ten minutes on a prompt, you should then find it easier to return to the piece you intended to write. The things you write in response to a prompt may also end up as worthwhile material in their own right. It’s often surprising how much material you come up with once you start. This can act as a sort of exercise regime, helping to build up your “muscles” so that you start to find it easier and easier to write for longer and longer. Sometimes writing groups offer a prompt for everyone to write about, with the intention being for everyone to come up with something they can then share. Get used to keeping an eye out for words and phrases that fire your imagination, jot them down and use them as writing prompts to spark your creativity. I was participating in this and discovered my short story was turning into a fiction novel. Listen to some music outside your comfort zone — if you like rap and hip-hop, listen to some old school country, for instance — and write what the music makes you feel or think about.

I have an album that (almost!) never fails to ‘get my juices flowing’ and unleash the writer in me when nothing else will do it. January 25, 2011 2:48 pm my own writing prompt is to start writing as if i am writing a diary. But the prompts that you mentioned kevin are also very helpful. They can be anything that gets one’s mind working and the words flowing. Jill hurriedly folded the silk and put the bolt back on the shelf.

Four yards, and three bridesmaids, was a hundred and twenty dollars. Then, between the acrylic felt and the organza, she caught a glimpse of silk again and averted her eyes. Also, they tend to be more specific, which can really give an idea of what to do, but still giving you freedom to choose how the prompt’s events will take place. I have used several of the writing prompts listed above to get an idea. Your prompts are very simple and help get my imagination going.

I like to use them for chapter openings and prefer them to the usual prompts.

Research Flaws In Romance Novels by writing-world.com

Other writers err in the other direction, having their characters travel by wagon train when they could’ve easily taken a train for less cost. When you write a historical novel, remember that you’re writing about another era. A couple going off unchaperoned would create a huge scandal. This isn’t to say that your characters cant be iconoclasts, but you must explain why your heroine is strong-willed enough to refuse to marry the husband her father picked out for her. So unless you have portrayed her as rebellious, don’t have the heroine act with shock and horror when she learns her father expects her to marry a man she has never met. So it was not only a huge expository lump, it was also an authorial intrusion. I read a contemporary novel dealing with issues of the rain forest. Some writers lavish their attention on trivial details and end up writing dull stories.

They will also have a hard time accepting a dandified hero who wears pink and waves a perfumed scarf in the air. If you’re more comfortable writing a novel where the history serves as wallpaper, then go for it. However, you can raise your novel above the crowd by making sure that while you don’t let the historical details get in the way of your story, those details are still accurate.

If you don’t mind writing for this audience, then go ahead and have fun. However, you won’t reach those picker readers, and they are the more rewarding audience. Just about everything she writes includes a romance element, even if it’s a fantasy novel about a lord and a countertenor. Readers who went to this book looking to be immersed in the historical environment were disappointed. One of the biggest flaws in many historical romances is that the characters don’t behave like typical people from their era.

The culture is often as alien as what you’ll find in a science fiction novel. After all, most women of the upper classes accepted that their marriages would be arranged.

There is the danger of being so in love with the facts you’ve discovered that you want to tell the world about them. This came in the middle of a novel set during the 1800s, before anyone knew that the rain forest was important to the environment. Potentially interesting background became dull and listless because characters who felt strongly about the rain forest would stop and tell each other how important the rain forest was. But you have to break it down into smaller pieces, and you can’t have characters lecturing each other on things they already know. If you’re a good enough writer, you might be able to get away with more detail, but you’ll have to watch yourself. Others seem to know every trivial detail but forget to fit them in the context of the times. On top of that, readers have little patience for writers who use realistic historical dialogue because that can be impenetrable to modern readers. This style of historical background is much better suited to romps and farces. They want to be entertained, and they don’t let inaccuracies bother them.

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